This export could be named OBJ.pixel and the textures could be printed on a RGB 3D printer like the one from Disney.Īlso, a live scanning function could be helpful to recognize errors on objects in real time. If it would be possible to also export the wonderful pixel-textures during the OBJ export of the models, one could use the model for lot more use cases. For me, it’s only a natural progression - after painting, sculpture and photography - to capture objects in 3D, as our world is three-dimensional.Ĭurrently we explore these 3D models on a flat screen but all that will be (or has already) changed with the increased use of virtual reality. Many interesting projects that will be loaded in the ReMake Gallery will be an inspiration for other new projects. The possibilities that ReMake opens are huge and will grow from the greater community. Where do you see opportunities with ReMake and Fusion 360?
#Autodesk memento student free#
The OBJ Quad export is super powerful for direct free form modeling in Fusion 360!
ReMake helps me in this workflow in that I can export the OBJ models to Fusion and can rebuild a 3D model in Fusion really fast. Previously, I used a lot of images on different layers and scaled them correctly to then design a 3D model from 2D surfaces.ĭepending on the use case, this would often take hours or even days.
When I want to design a product or tailor something exactly for someone’s body, ReMake is indispensable for me. What are the advantages of using ReMake and Fusion 360 in your work? It is often much easier to capture and work with digital replicas of complex objects from real life, rather than to build them in CAD. ReMake is very intuitive to use and provides good results, and I can work quite quickly with them in my product design workflows. Why do you like ReMake and how do you use it? Memento then became ReMake and I started testing the 30 day version. About a year ago, I started using Memento Beta and it opened opportunities for my workflow. I used 123D Catch previously, both on my smartphone and (desktop), and found the possibilities quite impressive. Only later I realized that this project reminds of the first efforts of famous American inventors (including Benjamin Franklin) to use leaf imprints in paper banknotes to prevent the counterfeiting of money.
I found that the gold materials from Fusion360 that I applied to the models were very effective and appropriate for the GESS 2016 in Dubai - and they indeed resonated with the visitors. Previously, I had built complex models from various materials (such as plaster and wires) in the local Museum of Natural History. Moving forward, the subject of mass customization will only grow in importance and ReMake is perfect for designers like me who prefer to spend time focusing on design, rather than re-creating objects. So, I took bunch of photos from different angles and developed for myself a surprisingly fast and accurate workflow. From earlier experiments with organic surfaces I had concluded that ReMake (at the time Memento), amazingly, could not only capture this complexity but even augment it. One day, I was watching my mom in the kitchen while she was cooking a typical cabbage soup, and I was again reminded of the leaf and wanted to capture its beauty. Despite its simple and well known basic shape, a leaf’s high complexity has always fascinated me. The project started with an idea to give someone a unique present. Tell me about the famous cabbage leaf pendant.
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